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The Recounting of Ultimate Suffering

And so goes another block of time without me writing a damn thing. Whether that speaks to my tremendously busy life or my tremendously irresponsible lifestyle, I don’t know. I can say, though, that it doesn’t speak to my lack of things to write about.

In particular, there’s one thing I’ve been aching to talk about, both physically and mentally. Almost three weeks ago I had a wisdom tooth pulled. Now I know you must be thinking that you know what I mean, and that there’s no further need to continue.

You’re wrong. Painfully wrong.

So, from what I hear, it’s commonplace for dentists to first administer a powerful shot to the roof of one’s mouth, essentially numbing the patient’s head. I had also heard, much to my concern, that Japanese doctors had radically different ideas regarding anesthetic. Before the procedure, I was a little comforted once I received the first of many, many shots. I mean yeah, the needle was plenty long and I felt quite numb, right?

When I started to feel it wearing off before the operation even started, I became concerned.

The first half of the procedure was difficult, but not unbearable. It involved the dentist sawing off the exposed portion of my tooth. This, of course, hurt. However, additional shots to the area nullified the pain fairly well, and I thought I could handle it.

And then he began to remove the roots.

Days later, when I returned for a follow-up examination, I learned that this method was necessary because the roots of my tooth curved inwards, which made simply pulling it out impossible. I also learned that, due to this method, the roots started to sink deeper into my gum line after the upper portion had been removed. This would explain why I heard my dentist complaining, several times, that he “couldn’t see it.” Let me stress that this was not a comforting thing to hear at that time, because I sure as hell could feel him looking for it.

This portion of the procedure, which was as long or longer than the first, was easily the most painful experience of my life. There was a point at which I stopped requesting extra shots because a) they stopped helping and b) they only slowed things down. At least the final twenty minutes were performed with me feeling every sensation with pure clarity.

I especially remember a moment where my whole body began to tremble and shiver, as if my blood pressure was dropping due to excessive blood loss. I remember thinking that this must be like what it is to go into shock, and that I was certain to pass out any second.

At one point, my dentist asked me if we should give up on the second root, as it was very difficult for him to locate it. I remember looking into his eyes and imagining him as a young college sophomore who had screwed up a major project only to say, “eh, let’s go grab a few beers and sing some karaoke.” I then pictured myself as some half-assed, discarded jaw made out of paper mache and cardboard.

Closing my eyes I said, in my most polite Japanese, that there was no way in hell I was letting him stop at this point. I then tempered it with an encouraging, “I know you can do it.” Which was a damn lie but hey, it’s not like I wanted to finish this at a later date. He got it, but not before subjecting me to another ten minutes of blind poking, prodding, and metaphorical crotch-kicking.

Before I came in that day, the longest procedure ever conducted at that clinic was one and a half hours. I broke that record by a good solid hour. My dentist jokingly congratulated me on the new record, and I could only flash a brief blood-soaked, cotton-packed smile.

I still have three wisdom teeth left.

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Poll: Favorite Anime Series?

I just finished watching Claymore with my wife, which was pretty fun.  While I was disappointed that it didn’t follow the manga at the end, I really like the overall premise and characters.  The art, in particular, is terrific–moody colors, beautiful animation, and just the right touch of individuality in otherwise cookie-cutter heroine designs.  I like balanced anime where all the elements (art, music, characters, voices) work together to tell a strong story.  If the end result is interesting and makes me care about the characters, that’s all that really matters.

Now that we need something new to watch, I’m soliciting recommendations by way of a poll.  This way you know what we’ve already seen and enjoyed.  If you see something here you like, please give it a bump of approval (you can vote for any or even all of the choices).

More importantly, if there’s a series out there that you absolutely love, please write a quick comment on this post and I’ll add your suggestion to the poll.  And then I’ll probably go watch it.  Thanks! :)

Favorite Anime Series?

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The Substitute Language Teacher

Let’s talk about school. I’ve not talked about school for a minute.

So yes, I teach at a junior high school. I also teach at an elementary school on occasion. However, these occasions are hardly regular. Much like the rain during Japanese Junes, it comes in great big merciless chunks. What’s more, I usually have to take on full teaching duties in these classes, because the elementary schools tend to not have anyone qualified to teach English with me.

On one hand, I don’t like to complain too much because it’s not as though I have to work with elementary students all the time. I’m sure that the regular Japanese teachers must experience all sorts of exhausting, frustrating situations. On the other hand, they’re a lot more experienced with that environment. People can be pretty resilient and, with enough exposure, can acclimate to even the most ridiculous of circumstances. This isn’t necessarily a good thing of course, as the countryside is filled with old women who walk with their backs at a constant 90 degree forward bend due to planting rice by hand. But I digress.

No matter what the level, no matter what the responsibility, familiarity can make things far easier. There’s a perception (justified on occasion) that ALTs are overpaid and underworked, that they complain needlessly and demand special treatment. What people forget, though, is that it’s no small feat to walk into a classroom of students you barely know and teach them in a language they don’t understand.

I recall a Spanish teacher from my elementary days. I barely learned anything, and I can only imagine how difficult it must have been for her to feel productive. I then try to imagine what it would be like to be a substitute for said teacher, to not even have the slightest connection with those students whatsoever.

Yeah, this job has really made me respect substitute teachers too, simply because they have to go into classrooms without knowing the students.

This week I will visit roughly twenty classes. Those classes will have, on average, twenty to twenty five students each. These are children that I see, at most, once every two months. I don’t know any of their names. Some of their faces I recognize, some of their personalities I recall, but it’s hardly enough to make adjustments aside from “this class is quiet, this class is loud, this class has discipline issues, this class has the homeroom teacher who shouts “shaddup!” in a bad American accent, etc.”

And yeah, while I could just blow this off and not make a concerted effort to teach well, it just bugs me too much when things go wrong. A language barrier doesn’t prevent you from seeing a kid in the corner of the room who’s completely confused and about to give up. It doesn’t make you blind to the frustration and disinterest which can take root at the worst times. And it doesn’t let me ignore when I’m doing a bad job.

So yeah, if I’m coming home tired and happy this week, perhaps I’m doing things right. If I’m coming home tired and sad, well, at least I tried. But I can guarantee one thing: I’m coming home tired.

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Sorry, Doc, I Take It All Back

The Celtics are the 2007-2008 NBA Champions, and I couldn’t be happier.  I also owe Doc Rivers an apology: I had pinned most of the Celtics troubles since 2004 on his coaching, and that was unfair.  Some of us would complain about the “Doc Rivers special” if a winnable game was dropped in the fourth quarter (you know who you are).  And with great players like Paul Pierce headlining a decent roster, it’s tempting to point the finger at the coach when things are falling apart like they did last year.  But in hindsight, I don’t think Doc’s coaching was the problem prior to this season.

No, the problem the Celtics solved was all about depth.  Depth of experience and depth of emotion.  Paul Pierce is an excellent player, but he can’t be on fire for 35+ minutes of every game (see game 3 against Los Angeles).  It’s obvious that Kevin Garnett and Ray Allen were the missing star veterans that the Celtics needed.  In addition, Garnett brought an intense–sometimes fearsome–hunger to the team all season long, which is arguably a more important asset; the right mix of emotion and discipline is essential to maintaining leads when you’re ahead and making comebacks when you’re not.  Plus, they managed to cultivate a great bench, which has come through for them on many occasions.

I have to give a lot of credit to Doc Rivers.  He’s a great coach, especially when it comes to motivating his team.  His work ethic and style are the same as when he was losing in previous seasons–he just needed the right combination of players to get things going.  The Celtics organization has pulled off the greatest single season turnaround ever by giving Doc that combination to work with, and I can’t wait to see them rocking the playoffs again next year.

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The Click of Death

RIP, my old laptop hard drive and everything that was on it.

Last Saturday I came back home from Tsutaya with a stack of rented CDs, intending to do what everyone else who rents CDs does. After finishing that business, I attempted to check my email and was mildly troubled by the slow speed of my computer. So, since I had left the poor guy running indefinitely as usual, I decided to do a rare restart.

Unfortunately, it never got back to windows. I decided to run a diagnostic on startup. As I feared, my hard drive failed its DST test. On a whim, I decided to restart the computer just to see if anything would happen. I was greeted with this gem:

“Hard drive failure imminent, please back up all data.”

A little late on that one, I’m afraid. I’ve been neglecting to back up data, as my old computer’s hard drive has lasted so long without any problems (I still use it as additional storage). There’s a lot of stuff I wish I could recover from this drive, but god only knows if that’s even possible at this point, short of paying an arm and a leg. I don’t even know if I could find someone who could do that around here, even in the city.

I decided to suck it up and buy a new hard drive, as I’d rather fix this quickly than try to jump through Dell’s hoops to get a replacement overseas with only ten days left on my warranty. I’m also not looking forward to starting over from scratch, but perhaps it’ll be for the best. There was too much junk on my old drive anyway.

I suppose I’ll have to be satisfied with my work laptop until then…

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The Speed of Silence

Commitment is a funny thing. When in a rhythm and maintaining a regular pattern, it can be easy to sustain. But if one eases up for the briefest of moments, the whole endeavor can fall apart. I think it’s safe to say that’s what happened to my blogging commitment over the past two months.

There are several things that are necessary for regular blog writing, I believe. For one, one has to have experiences worth writing about. I can confirm that I have had quite a few experiences I believe are worth writing about, so that’s not a problem for me. Secondly, time—one has to have a sufficient amount of time to transcribe one’s thoughts to paper. This has been especially hard for me because not only have I had very little time, but I think I take a good deal longer to write entries than most people; rambling and rewriting are not conducive to a speedy schedule. Finally, one has to possess at least a slight smattering of exhibitionist tendencies. If you aren’t particularly interested in showing the world what you’re up to, then it’s going to be that much more difficult to put virtual pen to paper.

I think the third is my largest problem, and for a greater number of reasons than you might think.

If there’s one thing Japan has begun to strongly instill in me, it’s an appreciation for silence. When riding in trains, subways, buses and elevators, it’s not uncommon for friends to make a little small talk, right? In Japan, this is not the case at all. Sure, if you’re a little kid or some smarmy teenagers you might not care, but generally the people observe a strict code of silence. Those that violate it are rude, foreign or both. I won’t scold friends for doing this, and I’ll freely break the code myself with them, but I feel very awkward when doing so and tend to limit my responses in both length and volume.

The experience of being a foreigner in Japan is filled with these moments, especially when with other foreigners. The warring desires of behaving naturally and avoiding wider social awkwardness are difficult to reconcile.

Perhaps it’s different for the blond haired and blue eyed, who are pretty much doomed to always being stared at. I, on the other hand, can manage a certain measure of camouflage if desired. It’s hardly perfect, and any Japanese person paying attention can easily pick me out of a crowd, but it’s not about pretending to be Japanese. It’s about pretending to not be foreign.

The difference is a simple lack of common sense and basic courtesy. It’s the difference between getting a mild glance versus a long stare. And no matter how immune you may believe yourself to be from the opinions of others, those long stares add up.

It’s been both fascinating and troubling for me to observe how various ALTs who arrived with me last August have changed over the months. Many of them, who I have only seen maybe once a month, have become radically different in appearance and demeanor. The most common change, I hate to admit, is the gradual replacement of energy and enthusiasm with lethargy and hopelessness. Many of them are broken, frustrated, and eager to return home due to a variety of problems inside and outside of work.

At our last meeting, one of the presentations dealt with how to conduct your final lesson. The presenter stressed it as an opportunity to determine how you would be remembered, stating that “if you treat it like any other class, they’ll just forget you.”

One person in the second row muttered, “That’s fine by me.”

I’m not there yet, but I understand where he’s coming from. While some people become frustrated and lash out, it tends to end with a desire to sweep it all under the rug and leave quietly. Japan can be a very reactionary society, with active force being met with active force. Most of these dissatisfied ALTs find it easier to express themselves in a passive aggressive way which, in the end, is far more consistent with a Japanese mindset.

So at the end of this long, circuitous rambling, my point is that Japanese societal pressures result in more subdued and passive reactions. Blogging is in the opposite spectrum and not really consistent with that.

Yes, it’s ultimately a pretty lame excuse for why I vanished for two months, but it’s all I’ve got. Blah.

Also, the title is not a typo. I’m referencing the Dog’s Eye View song, not the Simon and Garfunkel one.

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Anime Boston 2008 Panel: Post Mortem

I wanted to write something about Anime Boston shortly after our panel, but the craziness of my work schedule seemed intent on postponing that. For posterity’s sake, I’ll do a quick recap now and put up some photos.

My preparations for our panel didn’t really begin until two days before the event. While Sean and Shawn were working on the PowerPoint, I decided to do a last-minute music video to accompany my part of the presentation. I figured that our audience would appreciate actual music and video clips more than ten minutes of my own random opinions. However, I had forgotten how long and arduous video editing can be. In a previous life, I was pretty handy with Final Cut Pro. I spent many nights at the MIT Media Lab cutting together interactive movies. But that was over five years ago, and it doesn’t seem as easy as I remember it. Also, I’m stuck with iMovie. Whatever speed increases my MacBook Pro delivers over my old G4 are canceled out by iMovie’s insipid usability. I won’t get into this, but the fact that it takes more steps to crossfade audio than it does with video is pretty dumb.

As a result of my endeavors, I spent most of our pre-Easter Saturday dinner hunched over my laptop. Around 3am I finally finished, and we got a chance to do a dry run of the presentation. By this time, we were resigned to the fact that we would get little or no sleep. The infamous 10-hour registration line was a scary thought, and we weren’t going to take any chances. We had to get there early since our panel was scheduled for noon.

Parking at the Hynes Convention Center was easy around 7:30am Sunday morning. There were already a small number of otaku faithful waiting. When the security guard let us in at eight, we marched upstairs to the registration room and found ourselves less than ten bodies from the head of the line. Piece of cake, right? Not so. We waited another inexplicable 45 minutes while the organizers trickled in, cleaned up, and made random excuses. And it’s not that they didn’t care–they really seemed to feel our pain–it’s just perplexing how slow the process had to be. Seriously, there’s no good reason that admitting each person should involve up to three different desks. Next year I might volunteer to help run registration instead of a fan panel, just to see if I can inject some efficiency into this clogged process.

As expected, there were lots of costumed people, but I wasn’t much in the mood for photography so I didn’t get any pictures of them. The group dressed as Avatar characters was our favorite, in particular Appa. We did manage to take in a few random showings in the early morning hours. The only one I really remember was Desert Punk, mostly because of its idiotic fascination with breasts (certain repetitive segments stick to your brain like 4chan memes). At around 10am, exhaustion got the better of us, so Irene and I dozed off on some benches in one of the long hallways. Fortunately, we woke up just before the panel and made it with enough time for a comfortable setup.

The presentation went very well. The audience was larger than we expected–around forty people. Sean started out with introductions and then focused on the structure and flow of the series. Shawn followed up with a character analysis of Spike Spiegel, and I closed with a brief discussion of the music. I didn’t know what to expect when I played the video; I didn’t know if viewers would be bored with my selection of clips. But in the end, I felt my efforts vindicated when I heard a few people quietly singing along to Rain, and later when someone exclaimed “best.. episode.. ever!” during a clip from Mushroom Samba.

The last thirty minutes were spent in open discussion with the audience. Big questions were tackled, like “Does Spike have romantic feelings for Faye and vice versa?” Many interesting theories were offered and absorbed, from the hidden significance of Ein to the possibility of Spike being Jewish. There was never a slow moment or shortage of questions. In the end, it felt like a melding of minds for Bebop scholars, with plenty of nostalgia to go around.

I’m grateful for such an enthusiastic audience. Just as I’m grateful to Sean for kicking my ass into doing this panel. It was definitely worth it.

In case you’re interested, here are the slides and the accompanying video.

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Transfers and Traces

In the Japanese educational system, it is customary for teachers and staff to be transferred to different schools within the prefecture at the beginning of every April. I am not sure what criterion is used to determine which teachers are transferred and, from what I have seen, most Japanese teachers aren’t sure either. The initial announcements are made one week prior to the 31st, and the final confirmation is given on the 31st. And though I could have asked earlier which teachers were leaving, I didn’t bother.

You see, some things can be understood without words.

When I looked around the office on Friday and finally realized that some desks were far cleaner than others, I understood without asking. True, it was a time for rest and reorganization, but some desks looked markedly different than others.

Some desks looked gutted. My own, I admit, was barren. I had cleaned it last Thursday, taking time to toss out all but the most essential, most useful of materials and documents. It was refreshing to do this, and it was as if I was reordering the past in my mind as I cleared the cobwebs out of my drawers.

This other cleaning was anything but therapeutic. It was erasure, a purging of memory and emotion. Already I found it difficult to remember exactly what my coworkers had placed on their desks. I couldn’t remember what photos and charms had once told me what little I knew of their private lives.

Tomorrow they will be gone. Fresh faces, unheard stories, and new memories will come and replace them. The lingering feeling of something lost might fade with time, but I know there will still be moments when I think of the wrong name, or imagine a different face.

When I first arrived many months ago, my desk was clean. Teaching materials were organized and essential documents were lying on my desk, along with a perfunctory note from my predecessor. Pens here, paper here, goodbye and good luck. I didn’t know him and I never would—at least that’s what I thought. But, in time, he became like an unvoiced character in a play, a person the audience comes to know through the traces they discover.

There were the notes he meant to leave behind, the polite ones which offered advice and aid. I learned how to fill out the order form for lunch delivery. I deciphered the impenetrable Japanese on various cleaning fluids thanks to him and came to understand which chemical was for what surface. He made living easier.

And then there were the notes he didn’t mean to leave behind. It was an accident, an unintentional disclosure at first. He left me a small pile of scratch paper, which he had made from extra copies of handouts and printed materials. One day I flipped over a paper instead of writing on the blank side.

I was thrust halfway into a letter he had written his parents. He was angry, defiant, and almost petulant in his words. He demanded understanding, freedom and approval. He was emotional, stumbling from one disconnected point to another. He didn’t know what he wanted, but he argued for it all the same.

I was immediately ashamed for reading it. Even so (or perhaps because of that), I could never forget it.

The second time was a note he wrote to himself, found as a bookmark in a frayed textbook. There was no anger here, only frustration and despair. Everything was wrong, nothing was right. He wanted to run away, but he had nowhere to go. He begged god for the strength to carry on, for the fortitude to steel his heart against the slow-burning hopelessness. I felt even more ashamed for reading this note, as it was far more personal. I was treading on this man’s sanctuary, his deepest thoughts. Maybe even his dreams.

Time wore on, but his traces kept surfacing. There are still collections of photographs on this very laptop. I am reluctant to look, but I can’t bring myself to delete them. From conversations here and there, I pieced together what relationships he built. Sometimes the stories were clear, other times it was merely a word or muttered phrase. Sometimes it was even less than that; it was amazing how much meaning I came to discern in a gesture or shift in tone.

I’ve seen only two pictures of his face, one from when he arrived and one from before he left. In the first, he’s wearing a collared shirt. His desk is a mess, but he doesn’t seem to mind. He doesn’t smile with his teeth, but it touches his eyes just enough to prove genuine. Those eyes, a deep blue, are a sharp contrast to his sandy blonde hair, which is cropped close at the bottom but a touch longer at the top. It all betrays his youth, as well as an earnest desire to impress.

In the second, his face seems longer and paler. The color has started to leave his skin and lips, and the wrinkles are more pronounced. His hair is tussled and uncombed, and his hairline looks to be receding. His smile is the same, but his eyes are different—no slight squint, only a stare that doesn’t match his mouth. My first thought was that he’s tired. He’s so very tired.

I’ve never met him in person and have never even heard his voice. I don’t know him, yet I feel like I know him intimately. I know it’s an illusion in many ways, but I can’t shake the image of this person that’s been constructed in my mind. It makes me wonder if he felt the same way about his predecessor. Were there enough jotted notes and forgotten letters to speak for him? Did people tell him stories between words like they told me?

When I read his writing, I felt a desire above all else to be heard. He wanted someone to hear him, to listen to him, to know him. On some level, I question whether it was an accident or an intentional oversight to leave these traces behind.

I can almost imagine his hand pausing, hesitating as it hovers over an old cathartic confession. Maybe he wants it to be found and read, thinking it could help by serving as a warning of what could happen if his successor isolates himself. Or maybe he’s just tired of not being heard.

Well, wherever you are C.C., I hear you. I hear you very well.

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More meta than the average book

It’s weak writing, unrefined and unrevised. I know that, and yet I still press on. I can feel the rawness of it, the stark honesty. The stream of consciousness is laid bare, and I can almost dip my hands in the flow and feel his emotion. I know his fear, I know his drive.

There have been others before him, men with ambitious dreams and plans for epics. Their stories fell short, unfinished, like so many grandiose visions of the past. Starting is hard, finishing is harder.

That fear is like my own. No, it is my own. It’s not even projection anymore, I know that I share the same tension, the paralyzing choking which seals my heart to my ribs and clogs my throat. The slight congestion in my nostrils becomes overwhelming, and I feel like I can’t breathe.
No, it’s worse than that. I can breathe in, but I cannot breathe out.

I am taking, I am absorbing. By the grace of god, you might even say I’m learning. But I am not giving back. The imagination grows stale, and the weight of the images presses down on my spine. I slouch and look downward, and the sky becomes a stranger.

I feel the gaps growing larger. Not in just my story, but every other. Before, when I was younger, I needed little details. I could fill in the holes without a touch of effort, and the weakest story became my own. I could close my eyes and see it all, whether I wanted to or not. It would consume me. It would demand expression, and I was a slave to the paper.

But now we’ve become strangers. We are old friends, once upon a time, who just barely recognize each other’s faces when passing in the dark. I still remember the other faces though, faces of people yet to be written, people whose stories have yet to be told.

So much has been written already. Perhaps my stories are not worth reading, and perhaps they offer nothing new. But they are mine, and no two stories are alike. Such silliness, such cowardice should not be suffered any further.

But will it?

I have these moments where I feel terrible for not writing anymore. It’s a shame that grows larger as time grows longer, and when I imagine the reunion the pain becomes unbearable. When I think of all that I have forgotten forever, knowing that there is no return and that it will never be the same, I shudder and flinch.

They say that the way to discover your true calling is to pretend you’re a millionaire, without a care or concern in the world. But that’s a damn lie, because I know I want to write, but I know it’ll hurt no matter how much time or money I have. It’ll always hurt because it’ll always be hard, always be painful, always be nearly impossible. It’s always just a little less than it should be, and I never have an excuse for why.

I’m near the end of King’s story. I have 224 pages remaining. I can’t imagine how agonizing it must have been to come this far. At first I was appalled by his audacity to place himself within the story. It seemed so arrogant, so insulting. But… I think I understand why he did it. It may be the only way he could do it, because it’s as much about him as it is about anything else.

It’s a story about a need, a compulsion, an inexplicable and unjustifiable desire to do one thing above all else. It’s as complicated and as simple as that.

I don’t know what answer he found, or what ending he wrote. Maybe I’ll change my tune 224 pages from now.

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Lazy… Spring? Days

And so, with the resolution of today’s closing ceremonies, the school year has finally ended. I’ll be spending the next few weeks in the office, twiddling my thumbs and trying to be productive. I’ve already started writing a list of things I can do during this time:

Finish reading a few novels (less than half of Dark Tower VII left to go!)
Finish Japanese lessons
Finish some tax forms
Prepare English conversation class plans more than a day in advance
Write more entries in this blog
Write the great American novel
Look into various graduate programs and see if anything interests me
Look into various jobs and careers, seeing if anything seems worthwhile

Of course, I doubt that I’ll be nearly as productive as I can be. But I’m not one to let logic, reason and past precedent get in the way of optimism.

So I’ve long since given up on fantasy basketball, as I never really had a chance of remaining informed with my much busier work schedule. However, March Madness only really requires that you fill out a bracket. I didn’t put too much thought into it, but I managed to throw one together a few hours before the deadline for my Facebook competition with friends. I’m in serious trouble though, as six of my Sweet Sixteen picks were wrong. I may yet survive though, as Duke was the only team I got wrong which I had pegged to go further.

And for you unimaginative cowards who picked UCLA to win it all, I’ll have you know that I have them losing to Texas in the final four. If I’m right, I’m a genius. If I’m wrong, I’m simply an alumnus with an indomitable school spirit. Heck, this plan alone makes me a genius!

One more vidja game review: Apollo Justice, Ace Attorney (DS)

This is the fourth game in the Ace Attorney series of adventure games for the DS. A hilarious, well written (and translated) script allows the player to immerse themselves in the not-so-naturally-funny world of criminal law. Gameplay is identical to past games, with courtroom chapters interspersed with investigation chapters. The methods are the same as well, with evidence collection and contradiction hunting as familiar as it is often frustrating. Trust me—you really don’t know why the dead guy was pulling a noodle stand through the park in the middle of the night.

New additions to the series include forensic mini games, which were originally introduced in the bonus chapter of the first game’s DS remake. The system is much more fleshed out in this game, though I do sometimes feel as though it’s more gimmicky than necessary. I really like the perception system, however, and found it to be an excellent successor to the previous games’ methods of interrogation. Carefully observing and catching a person’s tells is far more plausible to me than a magical rock which lets you ‘break the locks’ on a person’s secrets. Realism aside, it was a much more natural process for me to uncover those subtle tells as well.

The story remains the strength of the game. Unraveling the mysteries of how each case and character is connected is satisfying as always, and this game lays the foundation for the next generation of games in the series. However, because the game is so linear, there is little replay value—this is also the case with the previous games, and is simple the nature of the game, as is the case with countless books and movies.

Never the less, it’s an easy recommendation for me to make. If you enjoyed the previous games (David, I’m looking at you), then you will almost certainly enjoy this one. Playtime is probably ten to twelve hours, if not more. That figure is highly dependant on your reading speed, of course, and how long it takes you to determine the right course of action in the courtroom.

And while this post is certainly long enough, I thought I’d use this as an opportunity to comment on a related subject.

The court system portrayed in the Ace Attorney games may seem unrealistic, but it is in fact very closely based on the Japanese criminal justice system. While there are plans to reinstitute trial by jury, Japanese criminal courts have not used juries since 1943. It is, in fact, judges who determine guilt or innocence. The conviction rate is abnormally high; 99.9% is often quoted, though I have not personally confirmed it with a source.

What’s more, it’s legally permissible for suspects to be detained for up to 23 days without being charged. During this period, their freedoms are extremely limited. The wikipedia entry on Daiyo Kangoku (代用監獄) is fairly detailed on this, and it explains the legal loopholes which allow police and prosecutors to do this with ease.

Sadly, the most unrealistic aspect of the Ace Attorney games’ portrayal of the justice system is arguably the fact that the defense attorney is even attempting to prove their client is innocent. Because defense attorneys often recommend that their client confess, the most spirited arguments come during sentencing, rather than the actual trial.

It’s a disturbing situation, one which is little discussed outside of Japan and law circles. And given Japanese police’s propensity for attributing crime to foreigners, it’s one you might want to keep in mind in case I disappear without a trace for, say… 23 days. Though I’d like to believe I won’t be so unlucky…

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